(If the embedded soundcloud players are being temperamental, try opening in a new tab)
COMPOSITIONS
Paraphrases
Performed by Ensemble 360 as part of the ‘Russia in the Round’ May Festival, 2017
Porridge Column
ABAB Form – Christopher Guild, Piano – Present Tense Sheffield 2015 project
Scenes from the Madrigals – Sounds of the Engine House, Anthony Burgess Foundation, June 5 2015
Womb for 6 Winds (Version 2 – A. Fl, Ob/C.A, Cl, Bsn, Hn, Tbn) At London New Winds Festival 23 11 12
Package 1A for bass clarinet and 3 sustaining instruments – London New Winds Festival 21 9 12, Phil Edwards Bass Clarinet
Suite: Haunt Bits 1 – 3 (Overt WW4) – London New Winds Festival 22 11 13
Prowl Routine, at the ‘Underscore’ event, Hepworth Gallery, 21 6 12. Me on solo clarinet; Ensemble Clarinet – Jess Jevon; Bass Clarinet – Jono Read; Horn – Tom James; Cello – Charlie Hardwick.
Memory Chasm for solo piano. Played by Simon Smith at Sheffield Music Academy lunchtime recital of 19 5 12
The Call of Cthulu from 5 studies with Max/MSP
3 Settings of Mallarme Earlier studio take with Tom James on Vibraphone.
For Whom The Fan Displays Open score, realised at Cage centenary colab. concert, York University Spring Festival 13/5/12
AS CONDUCTOR/ARRANGER
Angels From The Realms Of Glory – conducting my arrangement of the local (Coal Aston?) carol tune with Sheffield Music Academy Girls Choir, December 2012.
blogoftomowen 